Sunday, 18 November 2012

Vidya's love affair with all hings 'Bong' continues

The actress professes her love for women-oriented films, and her ‘Kahaani’ director, Sujoy Ghosh and Bengali

One of the perks of being the actor of the moment is that you can choose. And who better than Vidya Balan to know that. Currently the top heroine in Bollywood, Vidya is busy promoting her next big film, ‘Kahaani’, where she plays a pregnant woman in search of her husband.
Interestingly, Vidya being a part of the film wasn’t because of director Sujoy Ghosh, but the other way round. Recalls the actress, “I met Sujoy for the first time while I was doing ‘Ishqiya’ with my manager Sanjay. He had literally kept some cash in his hand and confirmed my being a part of his film. I do not know what the amount, but he assured me that I would work with him. Incidentally, it was with ‘Kahaani’ that we worked together. I always was keen in doing a film with him and here I am turning pregnant for him.”
Shot exclusively in the streets of Kolkata, ‘Kahaani’ has Vidya traveling in cabs as a pregnant lady. Tell her this, and the actress as if on cue, continues, “I distinctly remember a couple being awestruck after seeing me pregnant. The lady immediately recognized me and said, ‘She is Vidya! Oh! Look she is pregnant. ‘I just smiled and replied to her,” Yes! I am pregnant it is not real but for reel’.”
One of the few actress credited of bringing women-centric films to the fore in recent times, Vidya’s ideology of choosing such project is an inner conviction. Says the actress, “I like doing such roles and I do it with conviction merely because my work is an extension of my belief. I have lived my entire life with women of substance and strength. My mother and my sister with who I have grown up are strong individuals. Also those in my neighborhood have influenced me a lot. I have seen my father treating my mother and his daughters with respect. So doing female centric films and characters come easily to me.”
It is this realization that has also helped Vidya to upgrade the kind of characters she has played on screen. “Earlier the female characters were not depicted in good taste “Giri hui aurat dikhate the (they showed the other women and female characters as amoral). But now the perception is slowly changing. Now a woman is portrayed in a challenging manner. It’s a character with substance. Indeed the actresses of today are experiencing a changing and endearing phase for themselves.”
The actress further adds, “I am happy that women today look upon themselves as a distinct entity. They are no more dependent on any one. They still fulfill their duties as a lover, wife and mother, only their priorities have changed. While on one hand they are equally wonderful mothers, great lovers and a dependable wives, on the other they have become evolved human beings with strong ideologies. They have learned not to succumb to any undesirable decisions.”
On being called the ‘Hero’ of Bollywood, Vidya says,” I have done and I am doing women centric films but I do not think that should be a reason for our male stars to fear. No woman character can be compared to that of a male’s. In fact I feel audiences are interested in watching real life tales on the reel. So directors are choosing films based on real life stories. Women oriented subject are more emotional and thus finding a place for themselves. What we actors need is to get characters which are entertaining yet multi-dimensional. The success of a film depends on the brilliant execution of what a director actually wants to portray, and not on a particular actor or actress.”
Opinionating on the growing culture of celebrating days like friendship day, Valentine's day mother/father day, the actress opines,” I feel everyday is for everyone. It doesn’t matter what relationship we have, the important thing is to be there for them. Why should we celebrate any particular day...love can see the light of the day at any point of the day and any time.”
Crediting her parents and Milan Luthria for ably playing Silk on screen, she says, “I remember Milan had once told me that respectability to sleaze is the right statement for you ,you and only you. And after the success of ‘The Dirty Picture’ I realize the wisdom behind the words. I will never forget my dad’s compliment after he saw the film. He said, ‘You make us proud Vidya’ I was speechless.”
On being gifted a house and Vidya turns humours. “I too have read that I have been gifted a house, but where’s the key. Now I will have to demand a house,” quips Vidya, who though confesses a love for those ‘luvvy-duvvy films’  doesn’t want to get hitched for the next two years at least.
Quiz her on her skills of spewing ‘gallis’ in real life and Vidya accepts defeat.” I am not very familiar with much of them and I don’t like to use them in my daily life either. Nonetheless, I feel now-a-days people want to watch reality on screen too. So if there are some gallis used on reel, which is fine by me. But never in my real life,” says the actress, whose best bet at the bad word is ‘ass’.
But quiz the actress, who has professed her love for all things Bong, including the language, to say something in Bengali and  Vidya suddenly goes quite for a moment and then continues, “I love Bengali as much as I do my mother tongue. But the only thing I could muster saying was this: ‘ aami tumakke bhalo bhashi’.” Loosely translated it’s ‘I love you’.
Clearly the romantic at heart has learnt the best line.
InterviewPrint this | Email this | 


Neil Nitin Mukesh talks about his co-star and their upcoming movie 'Aa Dekhen Zara’


by Lipika Verma
picture: Viral Bhayani
Polite, effervescent and a thorough gentleman. Neil Nitin Mukesh's off-screen persona is a complete antithesis of his on screen image of a brooding Machiavellian schemer in his debut film. 

What's surprising is the ease with which he pulled the feat convincingly in 'Johnny Gaddaar' despite having a chocolate hero look. 

Even his second film, the soon-to-release 'Aa Dekhen Zara', which is a sci-fi thriller with Bipasha Basu, has him playing a tough guy. 

Neil flashes that enchanting half-smile. "Yeah, you are right. Even Bips told me that. When we were shooting the title number, after the very first line got over, 'Aa Dekhen…', she turned to me and said 'Neil you look so very different. How polite and calm you look in real, but when you're doing the tough scenes you look the toughest'. I was happy about her comment as she really meant it. I have the blessings of the almighty, I must say. I'm a child at heart actually," says Neil face aglow recalling the compliment. 

Acting with such a hot actress like Bipasha Basu, and getting such nice comments from her, did Neil never get attracted to her? "While shooting I was so involved with the character I was doing that at one point of time I did wish that Bipasha was my real girlfriend," chuckles Neil. 

And that means he would've had no qualms doing those steamy scenes with Bips in the movie, we ask. "Well, I was very comfortable doing the hot scenes with Bipasha. It is our job to perform our role well," is his clipped reply. 

The comfort level could also be because Bips is a very good friend of Neil, and so are the film's director and producer, Jehangir Surti and Vicky Rajani respectively. 

"Yes, we are friends and that's how this project got conceptualised. I know Jehangir from the time we were kids. He always wanted to do a film together. And here we are all set to bang the theatres soon," says the actor who has also taken a liking to photography thanks to his role of a photo journalist in the film. 

"I learnt quite a few techniques and finer details of photography as I prepared for my role. It is always good to be learning in the bargain," Neil smiles. 

Well, the path seems strewn with more smiles as the association with his friends is proving to be more than beneficial for the one-film-old actor. For he will not only be seen as the lead actor, but is also being heard in the title track of 'Aa Dekhen Zara' that he has sung for in the film. 

Neil says that he likes to get totally involved in his projects and this song happened by chance. "Actually it just happened all of a sudden," explains Neil when we rib him about his 'high level of involvement' that fetched him a song. 

"I wanted the number in true R.D. Burman style and I was simply humming the original song when Vicky and Jehangir heard it. And they liked it so much that they coaxed me into singing. I then made my dad (Nitin Mukesh) hear the tune and he gave me the green signal," he adds. 

Music of course runs in his genes given the family of singers he comes from. 

"I haven't seen my grandfather (Mukesh), but I respect him a lot. If he were alive he would have been the happiest person on earth to see me at this stage today. In fact, I'm dedicating this song to my grandparents," says he. 

While it was Motilal, a popular actor of his times, who mentored Mukesh, Neil gives all the credit of his success to his father, Nitin. "My father is my mentor. Hence I use his full name in my name as a mark of gratitude. I can never forget how he has brought us up. He wanted to become a director, but he could not fulfil his wish. Though I'm sure he will be able to fulfil his wish sometime in the near future," he hopes. 

Though Neil belongs to an illustrious family, life's not been a bed of roses for him. In fact it has been quite a struggle. 

"I remember how my father used to sing on stage for a paltry sum to make both ends meet. And with that money he had to look after us and also get his sisters married. It was my neighbours who fed us. When I was just 13, I was summoned by my father who very softly told me 'Beta I cannot make you an actor. You will have to earn in order to support the family and yourself'. I was so touched by his words that I decided to work my way up. I joined Kunal Kohli as an assistant director for 'Mujhse Dosti Karoge' in 2001. It was in 2004 that my father presented me a Maruti Zen as he was always worried about my travelling in crowded trains. I'm grateful to the support my father extended me. Whatever has been possible is only because of him," says Neil, talking about his father's influence in his life. 

Nevertheless, he agrees that being Mukesh's grandson did help him gain an easy access to the industry. "I was entertained by the bigwigs of the industry only because I was Mukesh's grandson," he says. 

Talking about his first film, 'Johnny Gaddaar', Neil says that it was no cakewalk to make the film. "I still remember how we struggled to get our film 'Johnny Gaddaar' to the theatres. No one knows how even I have run from pillar to post to get the project completed. It took almost two years to finish the film as it got shelved for six months for want of finances. But if the script is strong then the film has to do well. 'Johnny Gaddaar' got a lot of critical acclaim. 

“'Aa Dekhen Zara' too has an excellent script and should do well," says a confident Neil, who has a few more interesting projects up his sleeve like 'New York' that will also see him share screen space with John Abraham. When asked if he is not apprehensive of John hogging all the limelight, Neil’s pretty chilled about it. "There is no competition between John Abraham and I. He will be doing his job I'll be doing mine. In fact, Bips, John and I are thick pals," he clarifies. 

While Bipasha is already taken, there have been a lot of whispers about Neil dating a certain airhostess. While he agrees that the girl is not from the industry, he refuses to give any further details. "I don't think there's any need for me to talk more about her at the moment. She will be introduced to one and all at the right time. I do not know whether she is an airhostess or from which airlines. You people should find out," he sidesteps the query smartly. 

'Johnny Gaddaar' got him a lot of appreciation and now 'Aa Dekhen Zara' is also looking a lot promising. So has Neil upped his fee just like Ranbir Kapoor, Shahid Kapur and others? 

"You must ask this to the producer. I am under contract with Vicky for three more projects. These films too will be directed by Jehangir. How can I disclose my price secrets?" he winks, even as he signs off.



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Aamir is a non-interfering actor

Brushing all controversies aside, Reema Kagti talks about ‘Talaash’, among other things.
Reema Kagti did not choose Aamir Khan, Farhan Akhtar, Rani Mukerji and Kareena Kapoor for her film ‘Talaash’ on her own. “It was the other way round; they chose me to direct them. I worked as an assistant to Aamir Khan for ‘Lagaan’, ‘Dil Chahta Hai’ and since then I have had a great rapport with him. However, I could not tell Aamir during the ‘Lagaan’ days that I would like to do a film with him. Our busy schedules did not permit me to take this idea to him,” says Reema.
She adds, “The idea is Zoya’s and we both jointly scripted it. We have a similar thought process. Unquestionably, Aamir, too, participates in every aspect of filmmaking. The others may get tired but he is one actor who sits until the idea becomes worthwhile. Definitely, it is not easy to convince him. I wanted to make the film with him, but it didn’t seem to work. We had decided to opt for someone else, but that too didn’t work out. Finally, after two and a half years, while I was away enjoying Parkour at Goa, I was informed that Aamir had some dates available and then we went with the script to him. To my surprise, he liked the storyline instantly and then later on we worked on his dates. Once Aamir was finalised, half the work was done.”
However, Rani and Kareena too were Reema’s first choice. “Rani plays Aamir’s wife while Kareena is the other lead in the film. Whether Aamir gets attracted to Kareena while visiting Kamathipura or not can be seen once the film releases. I can assure you that both Kareena and Rani are fantastic actors. While Rani likes to get into the minutest details and keeps inquiring about every twist and turn, Kareena believes in just being spontaneous after reading the script. Both actors are meticulous. Rani is like a front-bencher — intense and serious. While Kareena can be compared to the back-bencher students. Yet, she is perfect and effective with all situations and at the right time. They are both very fine actors,” Reema says, refusing to divulge much about Rani’s character.
“Whether Rani’s character portrays a wife in desperation who is being cheated on by her husband or not is something you will have to wait and watch,” she adds.
Updating the story a bit, Reema confesses, “‘Talaash’ is a suspense drama. It is an emotional saga with innumerable layers. The tale is coated with an intriguing man-woman relationship with certain sensibilities.”
Working with Aamir, she says, she has understood who he really is, “Yeah! Aamir propagates a serious air around him but to tell the truth, he is a real prankster. He stands up like a school boy and always does something
which you wouldn’t believe he would
be capable of.”
Reema agrees that there has been no pressure on her with respect to direction from any of the actors. “Aamir did discuss the scenes before we started the shoot. He did follow me, the director, as he did what was needed for the scenes. All the discussions go into the advantageous stage of filmmaking with Aamir around. His worthwhile discussions do help in every aspect of filmmaking. Aamir’s focus on the script empowers it inadvertently. I do not know whether he blindly followed me as the director, you need to ask him that. On the whole Aamir is a non-interfering actor on the sets,” she says.
Reema feels filmmaking is a business and the creative people must get a free hand. “Comparisons and restrictions jeopardise the product. Also, music in Indian films plays an integral part. Without music our films will lose charm. Nonetheless, addition of unnecessary item numbers should not be the need of a good cinema,” opines Kagti.
Life on the personal front is quite interesting. “I do not belong to the boys’ gang at all,” she says, laughing. “But yes I am adventurous by nature. I was very naughty during my childhood. I remember, while dad was posted in Digboy, a small town, I just wanted to pluck some tasty guavas. Not knowing that the branches of the tree near my house were stooping low towards a ditch. I climbed the tree and being unable to alight it I had to keep hanging by it for more than two hours. People from around my locality gathered together and tried to save me. Since then whenever I go there they remember me as that same tom boy who kept hanging to the branches of the guava tree,” she says and adds, “I love to read, listen to some good music while I am holidaying. I also love to cook and relish my cooking.”
Being a cinema buff, Reema has watched most of the Hindi films ever since she grew up. “I was diehard fan of Amitabh Bachchan. When I worked for ‘Lakshya’ with him it was unbelievable for me to be so close to him. He has a mesmerising persona. But, I did not get any chance to converse with him. It would be like a dream come true for me if anything viable comes across and I am able to direct him,” says the director in her without mincing words.
Lastly, Reema mentions about her next venture before concluding the interview, “I am planning a comedy next, the details are yet to be worked out.”
Lipika Varma
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Food and music kept Sona going

‘Son of Sardaar’ actress says villagers would bring tons of food, enough for the entire unit, for its makers
Ajay Devgn and Sonakshi Sinha, as screen couple, are the rage not only of Bollywood but also a Punjab village near Patiala, where most of ‘Son of Sardaar’ was shot. “Whenever we felt hungry, the villagers would promise to bring some great buttermilk for us. But eventually the turned up with packed food, enough for the whole unit. It was so touching. They’d get us fresh buttermilk, sarson da saag and all other food items. I really hogged and then had to exercise vigorously to keep the weight off,” says Sonakshi Sinha.
“Working on this Punjabi script made me feel elite because I have now understood the lavish culture of the North. Also, I identify with it because I have lot of Punjabi as well as Sindhi friends,” she adds.
Sona says she is in awe of the state, “We worked through all the different seasons — summer, winter and autumn. The weather is such that you are constantly hungry. But, the season I loved the most was ‘Basant’. I felt energetic and wanted to work all the time.” She can’t stop talking about the music. “I feel Punjabi music and dance are very sexy and peppy. It’s soothing to the ears which is why the music of ‘SOS’ is topping the charts,” says Sonki.
It’s been only two years since her debut in ‘Dabangg’, but Sonakshi already talks like an experienced actor. “I am lucky to be working with seniors such as Salman and Ajay. I am comfortable working with them. But working with young actors who are of my age is fun too. I am friendlier with them and share a great relationship with them. My seniors have been very good to me. I am lucky to have started with ‘Dabangg’ and Salman has been like a mentor to me. It’s the same rapport during the shoot of ‘Dabangg 2′,” she says. Sonakshi adds that Salman is very serious about his work but maintains a jovial and helpful nature. “Ajay is a prankster though. Ranveer Singh, I feel, is a methodical actor and believes in rehearsing scenes. I am an extempore actor and have learnt many things from him,” she says.
She adds that she gets advice from her parents. “I am open to all suggestions I get from mom and dad. I would love to be a part of all of my dad’s remakes. ‘Khoon Bhari Maang’ is my favourite film even though dad has a short role in it. But Rekha’s role was great,” says Sonakshi.
Sinha does not believe in the Rs 100 crore mark. “I don’t believe in standing on the roof top and yelling and stating my monetary success. I have just begun my career. When my film does well it makes me happy,” she says. Talking about ‘Joker’, which flopped miserably, she says, “I am the one who promoted the film to the maximum. So stories stating that the film did not do well as the actors backed out of promotions is totally wrong. No one makes a flop film. We are here to work and put in a lot of effort. We need the film to do well,” she adds.
Talking about future films she says, “I am open to romantic, comedy, serious and thrillers, so long as I like the script. All in all, while okaying the script I always try to think how the audience would react to it.” She is excited about ‘Lootera’. “The look and characterisation are very different and I have learnt a lot. I also enjoyed working on ‘Once Upon a Time In Mumbaai Again’ very much,” she adds before signing off.
Lipika Varma

Saturday, 17 November 2012


Arjun Rampal may look like Hunk Central with his soldier-like moustache in Chakravyuh, but the actor himself believes the hirsute “accessory” probably pushed the film over its stipulated budget. The actor laughs, “I think the film went over budget because of my moustache — we spent so much on the shampoo and conditioner!” Quite apart from the pampering his moustache received, Arjun also enjoyed working on Chakravyuh because of the chance to work once again with Prakash Jha. “This is my second film with him and he’s a good friend. I got to learn so much from him. Every time I work with him, I become a better actor than I was before.”

Making her father’s dream come true

Shabana Azmi’s NGO, Mijwan Welfare Society, is set for the third edition of the charity fashion show, Mijwan Sonnets in Fabric, where celebrities from Bollywood and the sports world will walk the ramp for the empowerment of the girl child in rural India.
This year, the models will be wearing Manish Malhotra’s designs. “He has a wider reach,” the actor says. Shabana, who took over the society after the death of her father, noted poet Kaifi Azmi, says, “When I was nine, we lived in a commune at Khetwadi Girgaum, Mumbai, in a 225 square feet flat, where eight families lived with just one toilet. We saw equality all around and my father wrote a poem more than 65 years ago titled Aurat mere saath chalna hai tujhe. At 19, I felt that men and women were treated equally, but slowly I realised that it was not so.
“In the 90s, my father had a paralytic stroke. But instead of giving up in despair, he went back to his village Mijwan which was frozen in time; there were no roads, no schools, nothing. He single-handedly got roads made, a school, a college and a chikankari centre. We initially thought he was completely mad; how could he think of bringing in computers when there was no electricity? When he passed away it was natural that I took it further. For me it was an emotional journey and a commitment taking my father’s work one step further.”